detroit opera house dance theatre of harlem

The Johnson-Riley conversation will be live-streamed on the City's Facebook page and YouTube channel at 1PM on Wednesday, December 14.

Imagine a child from Detroit choosing a dance career because of their interaction with these wonderful ambassadors for the craft.” And for some of them, we want them to become the best in the world. “They are among the best in the world, and we want our children and our families to see the best in the world. “Detroit is a second home for the DTH, and we are so proud to host them,' Riley said.

To talk about the company’s love of Detroit, Artistic Director Virginia Johnson will chat with Rochelle Riley, the City’s Director of Arts and Culture, about the company’s 30-year commitment to the Motor City and its exciting new work, “Higher Ground,” based on the music of Motown legend Stevie Wonder. The next time the company performs in Detroit will be in January.

The last time the Dance Theatre of Harlem performed in Detroit, was before 2,500 students in its second home. 26 at the Carr Center with “To Stevie, With Love.” Drummer and Carr Center artistic director Terri Lyne Carrington and a top-end ensemble will put a 1950s jazz spin on a selection of Wonder songs.POSTED BY Arts, Culture, & Entrepreneurshipĭance Theatre of Harlem previewing its January performance at the Detroit Opera HouseĪrtistic Director Virginia Johnson and Director of Arts and Culture Rochelle Riley will chat in a live-streamed conversation about her vision and the company’s love affair with Detroit.ĭance Theatre of Harlem does Detroit in a visit previewing its January performance at the Detroit Opera House Artistic Director Virginia Johnson and Director of Arts and Culture Rochelle Riley chat in a live-streamed conversation about her vision and the company’s love affair with Detroit. This weekend’s MOT program isn’t the only Wonder-related event hitting Detroit in coming weeks: The much-loved Michigan native will also be celebrated Feb.

“Higher Ground” had been percolating in Garland’s mind for years: He conceived the idea in 2008 when presidential contender Barack Obama accepted the Democratic nomination to the sounds of Wonder’s “Signed, Sealed, Delivered.” “I chose that music because it spoke to a time, post-civil rights, when people were beginning to understand that things were not going to be as great as we’d hoped they’d be,” he said.

Detroit opera house dance theatre of harlem